Firewire Cable Related Items

Tapco LINK-FW Firewire Computer Audio Interface


The Link.FireWire 4×6 audio interface is an ultra-portable and superb-sounding recording solution for musicians, composers and producers. The extremely versatile 4-input/6-output format provides the ultimate in connectivity, and since the Link.FireWire 4×6 is bus-powered and compact, you can easily take it with you. With Link s superior sounding, low-latency 24-bit/96kHz operation, dual Mackie mic preamps and the included Mackie Tracktion Music Production Software, your next project will come together quickly. Superior Sound Quality: For the Link.FireWire 4×6, we started with two of the best mic preamps available in any audio interface at this price range. These Mackie-designed preamps will capture the subtle nuances of any sound you throw at them. Any Mic, Line, or Instrument input is connected via 2 Neutrik XLR/TRS combo connectors. This exceptional sound is preserved all the way to your computer thanks to modern 24-bit/96kHz digital audio converters. These same converters supply superb quality sound to both your headphones and S Series Active Studio Monitors. Small… But Mighty: All that great sound potential is cleverly packed into a compact case less than 2″ high and 8″ long. Link.FireWire 4×6 tucks comfortably alongside your laptop when you re on the go, and connects with a single FireWire cable when you re ready to get busy. It s bus powered, meaning it draws its juice from your computer for no-sacrifice recording and mixing, no matter where you end up. And with a unique swivel-foot design, you can stand the Link.FireWire 4×6 on its side in tighter workspaces, then stow it when it s time to go. Fully Functional Good Looks: Link.FireWire 4×6 sounds and looks great, and it s designed for complete roadworthiness and functionality. The Link.FireWire 4×6 s soft rubber side-cheeks protect it from accidental impact and serve to lessen the likelihood it will slide off your desk during minor earthquakes or other natural phenomena. Silver side rails act like tiny roll bars to protect its precious knobs from being sheared off while in transit. The TAPCO Link.FireWire 4×6?it s hard working, smart, and sexy?just like you. Simple, Powerful, Tracktion: The Link.FireWire 4×6 includes Mackie s Tracktion Music Production Software; the easiest program out there to get you started using your computer to record. And once you ve mastered the basics, there s plenty of room to grow with Tracktion s truly professional feature set. It even comes bundled with a great assortment of plug-in effects, including Mackie s Dynamics Suite to help you keep the mix tight, plus Mackie s Final Mix CD mastering plug-in for when you re ready to share your music with the world. Features: 4-input/6-output Superior sound quality Low-latency 24-bit/96kHz operation Mackie-designed high-headroom/low-noise mic preamps 48V Phantom Power Dual combo mic/line/instrument inputs Main Line outputs Stereo Headphone output Stereo S/PDIF I/O Complete Front Panel control



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Mackie ONYX-400-F Recording Interface Preamp W/ Fw


A Premium 30-Input/34-Output Studio Recording Preamp & 192kHz FireWire Interace for Mac or PC Features: There are plenty of FireWire audio interfaces on the market today. But if you`re a musician or engineer who insists on absolute quality, then the Onyx 400F Studio Recording Preamp with 192kHz FireWire I/O is the pre-eminent professional choice. The 400F is a no-compromise recording interface that brings superior sound, robust construction, and several “world`s first” features to those looking to record to Mac or PC. And it comes bundled with Mackie`s popular Tracktion 2 software for easy recording right out of the box. THE BASICS Preamps, Plugs & Knobs The Onyx 400F is a 10-channel premium mic preamp and FireWire audio interface featuring four boutique-quality Onyx mic preamps. These highly acclaimed preamps offer superior headroom, sonic detail, and clarity vs. the competition?delivering 123dB dynamic range and an amazing .0007% THD?and a sound that has been widely praised as exceptionally “open” and “revealing.” The Onyx 400F also offers TRS inserts for inserting your favorite outboard gear into your signal path before sending it to your Mac or PC, plus an internal 10 x 10 DSP Matrix Mixer with full recall and 64-bit floating point processing?a feature not found on any other FireWire interface, at any price. APPLICATIONS With four Onyx mic preamps, four line inputs and stereo S/PDIF digital inputs, the 400F is the ideal box for tracking anything from smaller overdub-style projects to a full band. Operation is refreshingly straightforward. You simply plug in your mics and instruments to the front or rear panel, and plug a FireWire cable into your Mac or PC. The 400F`s eight individual outputs can be used for surround mixing, or for sending four discrete stereo headphone mixes to a headphone amp like one of our new HM Series (coming soon). For overdubs, the 400F`s dual headphone outputs give both the engineer and musician their own headphone outs with independent volume control. And the internal 10 x 10 Matrix Mixer allows near-zero-latency routing of any input to any output. ENGINEERED TO OVER-PERFORM AKM ChipA common question regarding the sound quality of any digital audio interface is often “What converters does it use?” Specifically, the Onyx 400F features mastering-grade 24-bit/192kHz AKM? 5385 and 4358 audio converters?the same top-notch, phase-accurate converters you`ll find in our flagship Digital X Bus. But at the same time, the 400F`s “sound quality” is a function of its entire system ? the superb Onyx preamps, the well-engineered summing circuitry, the 64-bit floating point processing, and more. Unlike other audio interface manufacturers, Mackie has a grizzled team of veteran analog engineers in-house. So we didn`t just design the 400F, we over-designed it, paying attention to every last detail. ONBOARD 10 x 10 MATRIX MIXER WITH 64-BIT PROCESSING Screenshot Matrix MixerThe Onyx 400F is the first FireWire audio int



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MOTU ULTRALITE 10X14 Compact Firewire Interface


MOTU ULTRALITE 10X14 COMPACT FIREWIRE INTERFACE The UltraLite bus-powered FireWire audio interface delivers everything you need to turn your laptop or desktop Mac or PC into a mobile 24-bit, 96kHz recording studio with 10 inputs and 14 outputs. And because it’s bus-powered, the UltraLite gives you the ultimate freedom to make music anywhere, anytime. Housed in sturdy yet lightweight aluminum alloy, the UltraLite provides 2 mic/instrument inputs with preamps, 48V phantom power, front-panel gain adjust and three-way pad switch. There is plenty of additional analog I/O via 6 balanced line-level quarter-inch (TRS) inputs and ten analog TRS outputs for a total of 8 analog ins and 10 analog outs. You also get stereo S/PDIF digital I/O, a dedicated stereo headphone output and MIDI I/O for your controller keyboard and other gear. Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Then monitor all of these live inputs via the UltraLite’s main outs, headphone jack or any other output ? with virtually no monitoring latency and no processor drain on your computer. You can even create separate monitor mixes for the main outs, headphones and other outputs. Control everything, including talk-back and listen-back, from the included CueMix Console? software, just like a large studio console. If you?re using the UltraLite to mix without a computer, you can control CueMix directly from the UltraLite’s front-panel. The UltraLite includes a 16-channel MIDI interface. Simply plug in your FireWire cable, and both MIDI and audio are ready to go. Connect any MIDI device, such as a controller keyboard, synth module, automated control surface or drum machine. Timing is sample-accurate with supporting software. The UltraLite provides cross-platform compatibility with Mac OS X 10.3 or higher, Windows XP and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Macintosh, with 24-bit recording/editing and 32-bit mixing/processing/mastering.



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