AT ATM250 HYPERCARDIOID DYNAMIC INSTRUMETRUMNT MIC A natural with high SPLs, the new ATM250 hypercardioid dynamic is tailored for kick drum, percussion, brass and other highly dynamic instruments. Its rich, warm low-frequency response gives the microphone excellent presence. The microphone is equipped with a rare earth neodymium magnet and a tight hypercardioid polar pattern. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise. Features: Handles very high SPL at close range Big, warm low-frequency response with excellent presence Hypercardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Durable, proven performance for professional applications Hi-ENERGY? neodymium magnet for improved output and transient response Superior off-axis rejection for maximum gain before feedback Corrosion-resistant contacts from gold-plated XLRM-type connector Rugged, all-metal design and construction for years of trouble-free use
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The Audix D6 is the perfect choice for solid kick drum sounds. The cardioid pickup pattern does an excellent job rejecting sound from external sound source to keep the sound of the kick drum pure and clean. The D6 boasts a VLM (Very Low Mass) diaphragm to react quickly to the attack of the beater, and the 30Hz-15kHz frequency response sports big bumps right where you need it for earth-shaking lows without sacrificing the attack. For other low-frequency instruments such as bass, the D6 fares equally well. Tuned specifically for kick drum and low-frequency instruments The D6 is designed specifically to tackle kick drums and other low-frequency instruments. There is 14dB of boost at 60 Hz, 15dB between 4 and 5K, and 17db between 10 and 12k. The tailored response of this microphone makes it ideal for use of 22″ bass drums. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today’s live stages and recording studios. The VLM diaphragm ensures that the mic responds very quickly to transients, ensuring the attack isn’t lost. Sounds good no matter where you place it Drums are one of the hardest instruments to record, especially when trying to replicate the sound of a previous recording. The D6 is designed to sound good in any position and it is not dependent on finding the “sweet spot” of the drum. This is great since you know that time after time, the kick will sound great! Audix D6 Features: Cardioid polar pattern Tuned for kick and bass 30Hz-15kHz frequency response Not dependent on finding “sweet spot” for good sound VLM diaphragm for fast transient response Warranty Updates : 5 year warranty on Dynamic Microphones (was 1 year) 3 year warranty on Condenser and Wireless Microphones (was 1 year)
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More info: Audix D6 Hypercardioid Kick Drum Microphone
ROLAND V-SERIES ACCESSORY KIT With a pro drum throne, sticks and a powerful kick drum pedal, this kit has everything you need to get your new TD kit up and running.
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More info: Roland DAP3 V-Series Electronic Drum Accs Kit +
PGDMK4 Drum Mic Kit An essential drum mic package. The PGDMK4 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, three A50D drum mounts, four 15ft. (4.57m) XLR-XLR cables and a durable carrying case. PG52 Instrument Microphone A high-performance cardioid dynamic kick drum microphone tuned to capture low-end punch. Cardioid, Dynamic. PG56 Instrument Microphone A compact drum microphone for close miking. A50D Drum mount included. Cardioid, Dynamic. A50D Microphone Drum Mount Use the Shure A50D to mount a microphone onto a drum. A screw on the mount secures the microphone, and an adaptive brass washer is available to accommodate an even wider range of microphone models.
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More info: Shure PGDMK4 Drum Microphone Kit
SENNHEISER DYNAMIC CARDIOD MICROPHONE The e602 combines the latest lightweight high performance voice coil construction with a traditional large diaphragm capsule design to deliver very low bass response (down to 20Hz) and fast transient signals. Low frequency extension and mid band attenuation produce an ultra smooth preshaped signal enabling the mic to be used without corrective EQing, even on the most problematic bass signal sources. Frequency independent cardioid pick-up pattern ensures very high signal output before feedback and isolation from other on-stage signals. Features: Pick Up Pattern: Cardioid Frequency Response: 20 - 16,000 Hz Sensitivity: 1mV/Pa =/- 60 dB (0dB=1V/Pa) =/-80dB (0dB=1V/?bar) (USA) Nominal Impedance: 250 ohms Min Terminating Impedance: 1000 ohms Size: ?=2.4 in. L=6.1 in. Weight: 19.4 oz. Transducer Principle: Pressure gradient receiver
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More info: Sennheiser E602II Cardioid Kick Drum Microphone
Audix revolutionized drum and percussion technology by designing specific mics for specific percussion instruments. Now, with the introduction of the Fusion Series, Audix quality and performance is available in 2 incredible sounding packages. The F-10 dynamic mic was designed for upper register snare and toms. The larger format F-12 dynamic captures all the power and impact of bass drums with absolutely no distortion, and the super sensitive F-15 condenser was specially designed for overhead drum set applications. All Audix Fusion packages come complete with foam lined road cases and mic stand adapters. Includes (3) F-10 - snare/tom mics (1) F-12 - kick drum mic F-10 Application: Snare, Toms Bongos, Quinto, Hi-hat, Shekere, Congas, Timbales Features: Tailored frequency response provides upper mid-range attack and clarity Transducer Type: Dynamic Frequency Response: 50 Hz - 12 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 1.8 mV/Pa Capsule Technology: Double dome Maximum SPL: 135 dB Off-Axis Rejection: >20 dB Housing: Die cast zinc, black e-coat Weight: 7.1 oz F-12 Application: Kick Drum, Floor Tom, Djembe Features: Extended low end response for fat, punchy sound Transducer Type: Dynamic Frequency Response: 40 Hz - 10 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 2.1 mV/Pa Capsule Technology: Double dome Maximum SPL: 135 dB Off-Axis Rejection: >20 dB Housing: Die cast zinc, black e-coat Weight: 7.4 oz
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More info: Audix FUSION-4 Fusion Series Drum Mic Kit
dbx 166XL Compressor/Limiter: Helps You Smooth Out Your Music And A Whole Lot More! 2 independently programmable channels of compression, peak-limiting, and noise gating. Make intimate vocals stand out in a mix, tame a wild electric guitar, tighten up a kick drum or prevent transient peaks from overloading your digital recorder. Selectable OverEasy or hard knee compression. Quiet enough for use with digital media. Compress full mixes without undesirable “pumping”. 1/4″ TRS and XLR balanced connecters.
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More info: Dbx Dual Compressor Limiter W/Dual Gate
AT ATM250DE DUAL ELEMENT DYNAMIC AND CONDENSER MIC The Artist Series new kick-drum mic, the ATM250DE dual-element instrument microphone features cardioid condenser and hypercardioid dynamic capsules combined in a single housing. Audio-Technica’s innovative use of two polar patterns is ideal for kick drum: the hypercardioid dynamic element focuses tightly on the aggressive attack of the beater, while the condenser captures the round tonalities of the shell. The elements are positioned in a perfect phase relationship, something practically impossible to achieve with two separate microphones. Includes a professional isolation clamp to provide secure mounting, versatile positioning and effective dampening of unwanted mechanical noise. Features: Audio-Technica’s proven dual-element design features two elements (condenser and dynamic) enclosed in a single housing Neodymium dynamic element provides punch and attack, while the condenser element captures the full audio spectrum Elements are positioned in a perfect phase relationship, something practically unachievable with two separate microphones Perfect for kick drum, guitar amps and instrument use Integral 80 Hz HPF switch and 10 dB pad (condenser element) Versatile mounting options and effective dampening of mechanical noise thanks to included AT8471 isolation clamp Corrosion-resistant contacts from gold-plated XLRM-type connector Rugged, all-metal design and construction for years of trouble-free use
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More info: Audio Technica ATM250DE Dual Element Dynamic And C
Realizing that vocal microphones were not the best choice for mic’ing drums and percussion, Audix revolutionized drum and percussion technology by designing specific microphones for drum and percussion instruments. Now, with the introduction of the Fusion Series Drum Microphones, Audix quality and performance is available in a great sounding, very professional, and very affordable package. The F10 highlights the upper register of snare and toms while the F12 captures all the power and impact of your bass drum with absolutely no distortion. The super sensitive F15 condensers are perfect as overhead mics for cymbals or up front for picking up the overall kit for a more open, ambient mic sound. Includes (3) F-10 - snare/tom mics (1) F-12 - kick drum mic (2) F-15 - overhead condenser mics (1) Foam-lined, all metal road case F-10 Application: Snare, Toms Bongos, Quinto, Hi-hat, Shekere, Congas, Timbales Features: Tailored frequency response provides upper mid-range attack and clarity Transducer Type: Dynamic Frequency Response: 50 Hz - 12 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 1.8 mV/Pa Capsule Technology: Double dome Maximum SPL: 135 dB Off-Axis Rejection: >20 dB Housing: Die cast zinc, black e-coat Weight: 7.1 oz F-12 Application: Kick Drum, Floor Tom, Djembe Features: Extended low end response for fat, punchy sound Transducer Type: Dynamic Frequency Response: 40 Hz - 10 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 2.1 mV/Pa Capsule Technology: Double dome Maximum SPL: 135 dB Off-Axis Rejection: >20 dB Housing: Die cast zinc, black e-coat Weight: 7.4 oz F-15 Application: Cymbals, Overheads, Hi-hat, Goodie Table Features: Captures wide sound field of the cymbals and transients. Adds dimension and realism Transducer Type: Condenser 9 - 52 volts phantom Frequency Response: 100 Hz - 20 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms Open Circuit Sensitivity (1k @ 94 dB SPL): 9.3 mV/Pa Capsule Technology: Back plate electret Maximum SPL: 135 dB Off-Axis Rejection: >15 dB Housing: Die cast zinc, black e-coat Weight: 6.5 oz
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More info: Audix FUSION-6 Fusion Series Drum Mic Kit
DMK57-52 Drum Microphone Kit The DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price. The Drum Mic Kit includes three SM57 microphones, one Beta 52A microphone, three A56D drum-mounting systems, and a lightweight, durable carrying case. The industry standard for snare drum, and a reliable and high-performing choice for toms, Shure’s cardioid dynamic SM57 microphone features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately. Perfect for the kick drum, the supercardioid Beta 52A derives its low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the Beta 52A is designed with an integral locking stand mount for quick-and-easy set up. Shure’s A56D universal drum mounting system can be used to position microphones virtually anywhere - on drum rims, microphone stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D is small, secure, and can be used with any standard microphone, making it a great tool for both stage and studio environments.
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More info: SHURE DMK5752 DRUM MICROPHONE KIT
