Hosa Stereo 1/4” Right Angle Cable Adapter This adaptor converts a straight Stereo (TRS) 1/4″ plug into a right angle. Works great for headphones!
More info: Adapter 1/4 Stereo (F) to RT Angle 1/4 Stereo (M)
HOSA CMM105 5 FT 1/8 IN TO 1/8 IN TRS STEREO The CMM-105 5 ft audio interconnect cable is great for connecting equipment that uses balanced 3.5mm (1/8″) mini connectors, like: computer sound cards, portable CD players, etc. Maintains stereo signal.
More info: 5 Ft 1/8 Stereo to 1/8 Stereo
DOD SR-835 Variable Stereo Crossover High quality stereo 2-way or mono 3-way crossover with simple, cost effective driver protection. Features: Accurate state-variable, 18dB/octave Butterworth filters to prevent peaks or dips in the output at crossover points Variable summed bass output for mono subwoofer systems Inputs are 1/4″ TRS balanced/unbalanced, outputs are 1/4″ TRS balanced and 1/4″ TRS unbalanced jacks
More info: Dod Stereo 2 Way Mono 3 Way Crossover
Single channel 31-band constant-Q equalizer The BBE EQA131 Equalizer delivers the precise EQ you need to handle the entire spectrum of applications. On the EQA131’s active filter sections are the constant-Q (constant bandwidth) design: the bandwidth of each individual filter has a perfect balance between being narrow enough to prevent unwanted interaction between filters, yet wide enough to deliver exactly the type of correction curve demanded by even the most unusual acoustic surroundings. Also included are continuously variable high and low cut filters. The low-cut filter ranges from 10Hz to 250Hz (12dB/octave). The high-cut filter ranges from 3KHz to 40Hz (12dB/octave). A selectable control range allows musicians to switch easily between 6 dB and 12 dB on the graphic filters. Along with TRS and XLR input connectors, EQA131 comes complete with a Bypass switch, Signal Clip indicator, Output gain control and selectable line voltage switch between 115 and 230 VAC operations. Features: Constant-Q filters Variable low-cut filter from 10Hz to 250Hz (12dB/octave) Variable high-cut filter from 3KHz to 40Hz (12dB/octave) True hard-wire bypass Balanced XLR or TRS input/output connections Clip indicator Line voltage switchable between 115 and 230 VAC operations 5-year warranty
More info: BBE EQA131 Single Channel 31-Band Eq
HOSA DOC106 DIRECT OUT CABLE - 6-INCH Direct Out Cable: 1/4″ TRS Male to 1/4″ TS Female Stage mixers are great for live venues, but when you need separate direct outs from each channel (for sending out to a multi-track recorder, for example), you’re usually out of luck. But now, using our new DOC-106 Direct Out Cable, you can actually trick the stage mixer’s channel insert jack into thinking it’s a direct output! Ordinarily, the insert jack “steals” the individual channels signal for outboard processing. But the DOC-106’s clever wiring provides a direct output while allowing signal to continue through the console too. Works on any mixer that has conventionally wired insert jacks (Tip = Send, Ring = Return).
More info: 6 in Direct-Out Cable for Send/Return Jacks
DOD SR830-QX Stereo 15-Band Graphic Equalizer Stereo 15-band EQ (2 channels with 15 bands per channel) with 2/3 octave long throw faders for accurate sound control. Features: /-12dB boost/cut per band and input control w/LED meters 2 inputs per channel (electronically balanced/unbalanced 1/4″ TRS jacks and XLR inputs jacks)
More info: Dod Dual 15 Band Equalizer W/Xlr Connectors
For exceptional sound in a tight package, the new DX-120 is the smallest professional-quality DJ mixer on the market today. Denon leads the way. DN-X120 Features ??????? Companion Mixer for DN-S1200 ??????? (2) Line, (2)Phono/Line (switchable) ??????? Mic Input w/ 2-Band EQ ??????? Mic Talkover Switch ??????? 3 Band EQ w/Full Kill ??????? VCA, 45mm Crossfader & Channel Faders ??????? Crossfader Contour ??????? 4 position Input/Transform Switch ??????? Split Cue ??????? Fader Start On/Off for Crossfader & Channel Faders ??????? TRS Balanced & RCA Unbalanced Outputs ??????? 10 segments Level Meter ??????? Simple & Easy operation ??????? External Power Adaptor ??????? Dimensions: 8.6 (w) x 4.1 (h) x 10.3 (d) inches
More info: Denon DN-X120 10″ Two Channel DJ Mixer
These units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won’t find the external power supply that accompanies most processors in this price range. That’s because dbx understands how difficult external power supplies can be to work with and even though it costs a little more they put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks ensures that even if someone stomps on a cable plugged into the unit, it’s not going to tear up the circuit board inside. Every dbx crossovers features Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect? Via a switch on the back panel, you first select whether you’re operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (so you won’t have to check the switch position on the back every time you wonder where it’s set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you’ll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There’s a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. You’ll get great performance, all the features you’d expect from a professional product and the knowledge that you’re buying a processor from the people that have been producing the worlds finest processors for over 20 years.
More info: Dbx 2-Way/3-Way Mono Crossover
BEHRINGER FBQ1502 ULTRAGRAPH PRO EQ: Ultra-Musical 15-Band Stereo Graphic Equalizer with FBQ Feedback Detection System The Behringer FBQ1502 is a professional, ultra-musical 15-band stereo graphic equalizer that is equally at home in both live and studio applications. It features the amazing, patent-pending FBQ feedback detection system that instantly detects feedback frequencies and can also be used as an audio analyzer, making the FBQ1502 a welcome addition to any touring rack. Another FBQ1502 highlight is its dedicated mono subwoofer output with adjustable crossover frequency that lets you add some extra punch to your music.An additional low cut filter removes unwanted frequencies such as floor rumble, while a highly accurate 4-digit LED output metering and input gain control let you easily adjust levels. High-quality components abound, such as the ultra low-noise audio operational amplifiers for outstanding sound performance and the servo balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors. Outstanding reliability is guaranteed with the high-quality illuminated faders, detent ALPS potentiometers and illuminated switches. With its comprehensive set of features, the FBQ1502 really hits home, letting your creativity come alive in full swing. Features: Professional 15-band stereo graphic equalizer for both live and studio applications Revolutionary FBQ feedback detection system instantly reveals critical frequencies and can also be used as audio analyzer Dedicated mono subwoofer output with adjustable crossover frequency Additional low cut filter removes unwanted frequencies, e.g. floor rumble Highly accurate 4-digit LED output metering and input gain control for easy level setting Ultra low-noise audio operational amplifiers offer outstanding sound performance Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors High-quality illuminated faders, detent ALPS potentiometers and illuminated switches for long-term reliability Shielded toroidal power transformer for ultra low-noise performance Extremely rugged all-metal chassis ensures long life even under the most demanding conditions Designed in Germany. Manufactured under ISO9000 certified management system
More info: Behringer FBQ-1502 15 Band Graphic Equalizer
1/4 Quality “Soundflex” professional cable. 1/4″ nickel plated connectors. 6-feet.
More info: 6 Ft Single 1/4 TRS to 1/4 TRS Patch Cable
dbx 1231 30-Band Stereo Equalizer Powerful dual channel 30-band graphic equalizer with 1/3 octave equalization and large 30mm faders. Features: 2-second delay upon powerup protects system components Switchable boost cut range between 6dB and 15dB LED level indicators; low cut filter and EQ in/out switches Balanced/unbalanced 1/4″ TRS, XLR and barrier strip connectors RF filtered inputs and outputs
More info: Dbx Dual 31 Band Equalizer
MONSTER PROLINK CABLE PAIR: 1/4 TRS X 1/4 TRS 13 FT Prolink DJ cables feature high quality, ultra-durable construction and the ultimate in sonic performance.
SR-18 Professional Drum Machine PORTABLE PRO-GRADE DRUMS FOR MOBILE MUSICIANS. Alesis knows drums. The legendary SR-16 ignited the drum-machine market in 1990 and has remained a classic ever since. The SR-18 is designed to meet the demands of today’s musicians.Introducing the SR-18. Following in the tradition of its ancestor, the SR-18 is loaded with cutting-edge drum kits, electronic drums, hits, and up-to-date percussion sounds for any modern drummer. From hip-hop, to country and everything in-between, the SR-18 has you covered.The integrated effects engine includes Reverb, EQ and Compression for customizing the sounds to your liking. Since the SR-18 can be powered by AC or batteries, it ensures that whenever you need to lay down a groove, you’re fully-equipped.The new era of drum machines is here, only from Alesis. Features: Large, 32MB sound set with percussion bank and bass synth Built-in Effects- Reverb, EQ and Compression Battery Power for max portability Pattern Play Mode enables different patterns to be triggered from the pads directly Mute/Solo Function for parts- Drums, Bass and Percussion and per pad within a bank AC and Battery Power capability (6 AA’s- not included with product) and AC Adapter 24 voice polyphony Backlit LCD MIDI In and Out TRS ???? Aux Output Drum Roll function Headphone output Instrument Input 100 Preset Patterns and 100 User Patterns Tempo / Value dial Footswitch control- Start/Stop and Count/A-B fill
More info: Alesis SR-18 Professional Drum Machine
SAMSON S-COM Dynamic Processor Samson’s S-Com can reduce noise, increase music loudness and recover high frequencies for improved sound quality. Features: Each channel combines an expander/gate, compressor/limiter and enhancer to reduce noise, increase loudness and recover lost frequencies Simple to understand and easy to use Auto mode analyzes and adjusts attack and release parameters based on the changing input levels Balanced inputs and outputs (1/4″ TRS and XLR) 12 segment LED meters
Squeez SQ?2 provides two channels of smooth compression and gating, plus an adjustable “Air” EQ for that classic vocal sound of the 60s and 70s. The Compressor section offers both auto “soft-knee” and “hard-knee” curves, while the Soft Gate employs an expander function at the threshold to eliminate annoying clicks from drums and other percussive sounds. Finally, the adjustable “Air” filter restores natural top-end, letting you dial in vintage sounds without the hassle of expensive and finicky old gear. Features: 2-channel compressor/gate with smooth, musical sound Auto Soft-Knee/Hard-Knee curves depending on compression setting New adjustable Air filter adds natural high-end for classic studio compression sounds (a la Motown records) Soft Gate circuitry provides expansion at the threshold to eliminate clipped gated sounds Individual Threshold, Ratio, Attack, and Release controls per channel Output gain compensation controls Auto attack/release function with indicator Individual Channel In/Out button and indicator Precision 8-segment Gain Reduction meters XLR/TRS and Side Chain connections Selectable Line voltage (115/230V) The ups and downs of dynamics: It s a law of physics that audio electronics are noisy. You can raise the volume of the desired sounds to hide the hiss, but by mixing louder you can clip your signal (which causes distortion much worse than the dreaded hiss). Another problem we face is when certain musical passages are pushed to the limits, you ll find that some softer sections get lost. Enter Squeez: The Squeez SQ?2 acts like an extra pair of hands that quickly adjust the volume of two incoming signals to prevent them from clipping. The SQ?2 offers a variety of controls to let you dial in a “personality” for each of these virtual hands and shape their response to suit the dynamics of the signals they are controlling. Accurate control for better sound: The Squeez SQ?2 provides threshold and ratio controls that determine when to lower the signal, and by how much. Attack and release control how quickly the SQ?2 reacts and returns to normal when a strong signal is encountered. And there s an Output control that let s you make-up the volume lost when the compressor does its thing. There are eight bright LEDs on each channel so you can actually see the compression as it happens. And if all this potential overwhelms you, there s an Automatic Attack/Release button you can engage until you re ready to take full control. Finally, each channel includes a smart gate/expander that essentially turns down the channel so you don t hear a bunch of hum and noise when no signal is playing. Classic “Air” EQ: Compressing an audio signal can change the sound in a not-so-good ways also. Many compressors can suck out the high frequencies?especially when compressing hard. The SQ?2 includes a unique “Air” EQ circuit that restores the high frequencies lost in compression. And because it s variable, you can decide the exact amo
More info: Tapco SQUEEZ-2 Compressor/Gate
Dual channel 15-band constant-Q equalizer The BBE EQA215 is a high quality dual 15-band graphic equalizer. It is ideal for use in live sound rigs and installed setups such as studio, stage, DJ and sound contracting. The EQA215’s logical layout makes it a snap to use; room equalization and sound shaping is a breeze. Its sonic integrity assures clean, distortion-free audio. The BBE EQA215 makes state-of-the-art equalization technology affordable, but it is much more than a high-quality superbly engineered EQ. Featuring Constant-Q filter technology for the ultimate in precision equalizing, a selectable control range allows musicians to switch easily between 6 dB and 12 dB on the graphic filters. Along with TRS and XLR input connectors, EQA131 comes complete with a Bypass switch, Signal Clip indicator, Output gain control and selectable line voltage switch between 115 and 230 VAC operations. Features: Constant-Q filters True hard-wire bypass Balanced XLR or TRS input/output connections Clip indicator Line voltage switchable between 115 and 230 VAC operations 5-year warranty
More info: BBE EQA215 Dual Channel 15 Band Eq
MONSTER PROLINK DJ CABLE MDJ-ST-1M: 3.3 Foot 1/4" to 1/4" TRS This Monster Cable features a pair of twisted 3.3 foot cables with 1/4" to 1/4" connectors. Today’s musicians, DJs and recording professionals are using more sophisticated, higher quality gear than ever before and the sound reproduction possible from even modestly priced equipment is incredible. The quality and sound of the cables plays a crucial role in delivering all the performance available. Monster Professional Audio Products are used by the world’s top recording artists, engineers and producers. Monster cable products are engineered for better sound and designed with DJs and musicians in mind. Features: Affordable twisted pair of 1/4" to 1/4" DJ-specific cables Balanced audio interconnect cable with high quality copper stranding Two conductor construction for improved music reproduction and maximum noise reduction 100% foil shield rejects interference Dual cable webbing design construction for convenient hookup of left/right channels Red and blue color rings on each 24 karat gold-plated connector for easy left/right identification Heavy duty molded connector design that increases durability and resists damage Length: 3.3 FT/1 meter
Dual channel 31-band constant-Q equalizer The BBE EQA231 is a high quality dual 31-band graphic equalizer. It is idea for use in live sound rigs and installed setups such as studio, stage, DJ and sound contracting. The EQA231’s logical layout makes it a snap to use; room equalization and sound shaping is a breeze. Its sonic integrity assures clean, distortion free audio. The BBE EQA231 makes state-of-the-art equalization technology affordable, but it much more than a high-quality, superbly engineered EQ. Also included are continuously variable high and low cut filters. The low-cut filter ranges from 10Hz to 250Hz (12dB/octabe). The high-cut filter ranges from 3KHz to 40Hz (12dB/octave). A selectable control range allows musicians to switch easily between 6dB and 12dB on the graphic filters. Along with the TRS and XLR input connectors, EQA 231 comes complete with a Bypass switch, Signal Clip indicator, Output gain control and selectable line voltage switch between 115 and 230 VAC operations. Features: Constant-Q filters Variable low-cut filter from 10Hz to 250Hz (12dB/octave) Variable high-cut filter from 3KHz to 40Hz (12dB/octave) True hard-wire bypass Balanced XLR or TRS input/output connections Clip indicator Line voltage switchable between 115 and 230 VAC operations 5-year warranty
More info: BBE EQA231 Dual Channel 31 Band Eq
The Comp One is an advanced compressor design with new, program-dependent timing and algorithm. The Comp one features a stereo or dual-mono operation, program-adaptive expander/gates and separate precision LED displays for gain reduction, compression threshold, and gate threshold allow quick, accurate setup. With our newest auto-control circuitry for attack and release controls this unit is perfect for any sound rig. Tech Features: Nominal Operating Level -40dB to -2dB Common Mode Rejection better than 40dB Frequency Response 10Hz to 50kHz, +0dB/-1dB Balanced XLR and TRS 1/4 inputs and outputs
Cable Adapter Male XLR to Balanced (TRS) Female 1/4″. Converts a balanced or unbalanced 1/4″ Plug into a male XLR connector (the one with 3-pins).
More info: Adapter 1/4 (F) TRS to XLR (M)
NADY CT6 6-WAY CABLE TESTER Don’t start your gig without first making sure your cables are tip-top. The CT-6 tests all the most common cables used both at the studio or on the stage including 1/4″ TRS, balanced XLR ( male and female), RCA, banana plug, Speakon, and 5-pin Mini-DIN cables. The Multi-color LED confirms continuity of each conductor while a 6-way switch selects connector type of cable to test.
More info: Nady CT6 6-Way Cable Tester
Radial J33 Turntable Direct Box: High Quality Phono Pres PLUS XLR Outs Drop your signal into any sound system with this turntable-optimized direct box. You can send mic level or -10dB line level. It’s ideal for use in studio for re-recording, sampling and archiving. Features: Stereo RCA inputs Stereo RCA, 1/4" TRS and 3.5mm outputs Balanced mic level XLR outputs Low frequency rumble filter Choice of 48V phantom or DC supply
More info: Radial J33 Turntable Direct Box
EDIROL FA-101 FIREWIRE AUDIO INTERFACE The Edirol FA-101 FireWire audio interface is a smashing 10×10 audio interface, capable of 24-bit/96kHz at a full 10 channels in & out. You can record and monitor all 10 channels simultaneously in full duplex. This is phenomenal audio power for the studio musician. In addition to 10×10 24-bit/96kHz performance, the FA-101 also offers stereo recording & playback at 24-bit/192kHz for performance at DVD-A quality. Features: 10×10 record and playback capability 24-bit/96kHz audio performance Stereo I/O 24-bit/192kHz audio performance FireWire bus-powered Direct monitoring Low-latency driver support The portable musician will love that the FA-101 draws its power completely from the Firewire bus - there is no need for an electrical hookup. At an event, all of the band’s hardware can be routed through the FA-101 to output to monitors and at the same time the show can be recorded and during the break, CD’s burned to sell on the spot. The Performance DJ will rely on the FA-101’s rugged metal chassis to allow him to pound the clubs without worrying about the state of his audio interface. Back at home, the FA-101 will return as the centerpiece to the home studio. Because of the FA-101’s ability to supply so many simultaneous inputs, it’s perfect for any portable audio application. Portability with no limitation means you’ll be able to take the FA-101 to any kind of performance to record multi-track audio. The two Phantom-power XLR/TRS combo jacks offer premium mic preamps for incredibly clean recording with studio condenser mics or dynamic stage mics. The back of the FA-101 hosts a number of 1/4″ TRS balances inputs & outputs: six inputs and eight outputs in all. The front-mounted S/P DIF optical I/Os transfer audio to & from other digital devices and the built-in MIDI interface allows a synthesizer or controller keyboard to be connected to the FA-101 for sequencing directly into a software program. If you’re looking for an audio interface capable of simultaneous multi-channel recording on your computer at the highest quality possible… you need the Edirol FA-101, particularly if you have Firewire. Invest in yourself and your music, with the FA-101.
dbx 166XL Compressor/Limiter: Helps You Smooth Out Your Music And A Whole Lot More! 2 independently programmable channels of compression, peak-limiting, and noise gating. Make intimate vocals stand out in a mix, tame a wild electric guitar, tighten up a kick drum or prevent transient peaks from overloading your digital recorder. Selectable OverEasy or hard knee compression. Quiet enough for use with digital media. Compress full mixes without undesirable “pumping”. 1/4″ TRS and XLR balanced connecters.
More info: Dbx Dual Compressor Limiter W/Dual Gate
1/4 Quality “Soundflex” professional cable. 1/4″ nickel plated connectors. 3-feet.
More info: 3 Ft Single 1/4 TRS to 1/4 TRS Patch Cable
Cable Adapter - Female XLR to Female 1/4″ This adaptor converts XLR to 1/4″. Works with Balanced or Unbalanced cables. For when you need to connect a male XLR plug (the 3-pin type as found on mics) with a 1/4″ cable.
More info: Adapter 1/4 (F) TRS to XLR (F)
The GXP-246 has an XLR Male connector on one end and a Balanced 1/4″ Male connector on the other end. It works with Balanced or Unbalanced cables.
More info: Adapter XLR (M) to 1/4 (M) TRS
RANE EMPATH DJ MIXER SIGNATURE EDITION W/CASE The Empath mixer combines the vision of Grandmaster Flash and Rane technology. Compact size, exceptional performance and advanced features set the Empath mixer apart. The Empath is the most able 3-channel, 10″ format mixer available. The name implies: understanding, awareness and sensitivity to the needs of DJs. The Signature Edition comes with a rugged road case, including room underneath the mixer for cables and headphones. Features: Universal internal power supply. When traveling, finding power supply adapters is difficult. The Empath accepts 100 to 240 VAC, 50/60 Hz power, for use anywhere in the world without adapters. Auto-Gain prevents performance-wrecking swings in program level when changing sources. The music is never too soft or clipped. FlexFX is a post-fader external stereo effects loop with individual Dry/Wet pan controls for Mic and Input Channels 1, 2 and 3. Penny & Giles faders are simply the best money can buy. Smooth, accurate and reliable mixing is made possible by employing the most respected name in audio faders. Two kinds of fader caps are provided for different mixing preferences: soft rubber caps for smooth mixing, and hard plastic caps for fast mixing. Flash-Cue allows the DJ to rapidly select Crossfader A-Cue-sum or Crossfader B-Cue-sum with the flick of a switch, normally slow or complicated on other mixers. Multiple Outputs. Nothing is more frustrating than arriving at a club and finding their jacks don’t match. Systems may have XLR, TRS or RCA connectors. The Empath provides all three. Low and High headphone tone controls allow the DJ to match their mixer to their headphones. Both 1/8″ and 1/4″ headphone jacks are simultaneously usable. More headphones are compatible with the Empath. Two assignable CD triggers work with any CD player with fader start ability. Accelerated-Slope, full-cut, 3-band tone controls are the most flexible and highest quality available. Crossfader assign switches allow any Input Channel to be mixed on the A-side, B-side or Post Crossfader. Level meters view Stereo Cue, Stereo Master Mix, Split Cue or Main Output signals. Size: 7.75″H x 12.75″W x 19.25″D Weight: 12 lbs
RANE EMPATH ROTARY 3 CHANNEL DJ MIXER The Empath mixer combines the vision of Grandmaster Flash and Rane technology. Compact size, exceptional performance and advanced features set the Empath mixer apart. The Empath is the most able 3-channel, 10″ format mixer available. The name implies: understanding, awareness and sensitivity to the needs of DJs. The new Rotary version of the Empath has three rotary knobs where the main channel faders are normally. Features: Universal internal power supply. When traveling, finding power supply adapters is difficult. The Empath accepts 100 to 240 VAC, 50/60 Hz power, for use anywhere in the world without adapters. Auto-Gain prevents performance-wrecking swings in program level when changing sources. The music is never too soft or clipped. FlexFX is a post-fader external stereo effects loop with individual Dry/Wet pan controls for Mic and Input Channels 1, 2 and 3. Penny & Giles faders are simply the best money can buy. Smooth, accurate and reliable mixing is made possible by employing the most respected name in audio faders. Two kinds of fader caps are provided for different mixing preferences: soft rubber caps for smooth mixing, and hard plastic caps for fast mixing. Flash-Cue allows the DJ to rapidly select Crossfader A-Cue-sum or Crossfader B-Cue-sum with the flick of a switch, normally slow or complicated on other mixers. Multiple Outputs. Nothing is more frustrating than arriving at a club and finding their jacks don’t match. Systems may have XLR, TRS or RCA connectors. The Empath provides all three. Low and High headphone tone controls allow the DJ to match their mixer to their headphones. Both 1/8″ and 1/4″ headphone jacks are simultaneously usable. More headphones are compatible with the Empath. Two assignable CD triggers work with any CD player with fader start ability. Accelerated-Slope, full-cut, 3-band tone controls are the most flexible and highest quality available. Crossfader assign switches allow any Input Channel to be mixed on the A-side, B-side or Post Crossfader. Level meters view Stereo Cue, Stereo Master Mix, Split Cue or Main Output signals. Size: 14″H x 10″W x 4″D Weight: 9 lbs All of these features are wrapped in the smallest, most portable chassis of any three-channel mixer. Excellent control ergonomics allow this small package to feel as open and comfortable as much larger units.
A Premium 30-Input/34-Output Studio Recording Preamp & 192kHz FireWire Interace for Mac or PC Features: Premium 30 input x 34 output FireWire audio interface 12 flagship Onyx mic preamps with class-leading fidelity and dynamic range 8 balanced line outputs via 25-pin d-sub connector 16 x 16 ADAT I/O @ 48kHz (8×8 @ 96kHz, 4×4 @ 192kHz) 4 headphone outputs with volume control and discrete stereo feeds Superb AKM? 24-bit/192kHz A/D and D/A converters Powerful Onboard DSP Matrix Mixer: connect any input to any output at near-zero latency Built-in control room functions include A/B Monitor Switching,Talkback, plus stereo and up to 7.1 surround output main volume control Balanced TRS send and return insert jacks on Inputs 1 and 2 Dual FireWire ports for daisy chaining and direct connection to Mac or PC 2×2 MIDI I/O plus Word Clock, stereo AES/EBU and stereo S/PDIF I/O Stand-alone mixer functionality for field and studio use without computer Includes Tracktion 2 Music Production Software and Final Mix Mastering Tools
More info: Mackie ONYX-1200-F 12Ch Firewire Interface/Preamp
