Rapco 4 XLR (F) Dble Gang Mic Wall Mount Plate
4 female XLR connectors mounted on a double duplex wall plate
Xlr Connectors Related Items
Behringer DEQ2496 Ultra-Curve Pro
BEHRINGER DEQ2496: Ultra-Curve Pro High-Precision Digital 24-Bit/96kHz EQ/RTA Mastering Processor The Behringer DEQ2496 Ultra-Curve Pro is an ultra high-precision digital 24-bit/96kHz EQ/RTA mastering processor. Its extremely high audio performance makes it ideal for audiophile mastering and PA purposes. There are four concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer and three dynamic EQs per channel). Another highlight is the additional 61-band realtime analyzer that can run simultaneously with the EQ section. The DEQ2496 features high-quality AKM 24-bit/96kHz A/D and D/A converters and two high-performance 32/40-bit floating-point SHARC digital signal processors for ultimate sonic resolution and 113dB dynamic range. There are also multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA mic input) plus 64 user memories for complete setups and/or individual module configurations. You get a separate RTA mic/line input with phantom power, a professional wordclock input and MIDI connections for full remote control, preset dumps and system updates. The DEQ2496 also boasts balanced inputs and servo balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical). The internal switch-mode power supply assures maximum flexibility (100 - 240 V~), noise-free audio, superior transient response and lowest possible power consumption. Like all BEHRINGER products, the DEQ2496 was manufactured under ISO9000 certified management. Features: Ultra high-resolution processor for all EQ, RTA and dynamic applications, especially for PA and audiophile mastering 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus three dynamic EQs per stereo channel) Flexible Compressor/Expander function with peak limiter per stereo channel as well as additional stereo imager and stereo delay for delay line applications Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs Ultra high-resolution 61-band realtime FFT analyzer with additional auto EQ function for room and loudspeaker equalization Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA mic input) 64 user memories for complete setups and/or individual module configurations Separate RTA mic/line input with phantom power, professional wordclock input and MIDI connections for full remote control, preset dumps and system updates Ultra high-quality AKM 24-bit/96kHz A/D and D/A converters (113dB dynamic range) Open architecture allowing future software updates via MIDI 2 high-performance 32/40-bit floating-point SHARC digital signal processors for ultimate sonic resolution Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical) Internal switch-mode power supply for maximum flexi
More info: Behringer DEQ2496 Ultra-Curve Pro
Dod Dual 15 Band Equalizer W/Xlr Connectors
DOD SR830-QX Stereo 15-Band Graphic Equalizer Stereo 15-band EQ (2 channels with 15 bands per channel) with 2/3 octave long throw faders for accurate sound control. Features: /-12dB boost/cut per band and input control w/LED meters 2 inputs per channel (electronically balanced/unbalanced 1/4″ TRS jacks and XLR inputs jacks)
More info: Dod Dual 15 Band Equalizer W/Xlr Connectors
Ashly XR-2001 Stereo 3-way/mono 4-5 way Crossover
ASHLY STEREO 3 WAY MONO 4 WAY CROSSOVER The XR-2001 offers the unique ability to operate as astereo three-way or mono four- (or five-) way, or even asa four-channel two-way configuration for bi-amplifying onstagemonitor systems. All Ashly crossovers are based upon the same powerful state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. Our crossovers offer a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. These models also include a 200:1 tuning range, output mute switches, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields. Response Control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter’s high-pass and low-pass outputs are each “rolled off 3dB at the crossover point”. This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or “Linkowitz-Riley” response through the crossover region, set the Response control to “6″. This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past “6″ to best suit your needs. The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a “slope” control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter. Features: 5-Year Worry-Free Warranty 24dB Per Octave Slopes Variable Filter Response Allows Tuning-In Linkwitz-Riley or Other Filter Performances Summed Mono Output Output Mute Switches XLR and 1/4. Inputs and Outputs 20Hz Third Order Hi-Pass Filter Extra Wide Tuning Range Peak Overload Warning Lights Tamper-Proof Security Covers Optionally Available
More info: Ashly XR-2001 Stereo 3-way/mono 4-5 way Crossover
Elation SCENESETTER 48-Ch DMX Light Controller
ELATION SCENE SETTER DMX 48 Channel Controller Larger 48-channel version of Elation’s Scene-Setter lighting controller. Can be used to control stage and automated (intelligent) lighting fixtures. Features: 48-channel DMX lighting controller with easy programming 96 recordable programs with 4600 scenes MIDI in/out/thru Standard 2 scene operation (2 x 24 channels) Run programs (scenes) with auto, speed slider or audio beat modes USITT DMX-512 Standard Protocol with 3-pin XLR connectors Fade and Speed Control Independent fog output button for Vapor-Flow and Fog-Storm Series Blind Function override chases on the fly Sound active via built-in microphone or audio line-in Mix Chases Run more programs in Single Mode or Mix Mode simultaneously Dark and Black Out buttons Use with any DMX dimmer or power pack Size: 28″w x 10.4″d x 3.4″h. Wt. 16 lbs.
Behringer FBQ-1502 15 Band Graphic Equalizer
BEHRINGER FBQ1502 ULTRAGRAPH PRO EQ: Ultra-Musical 15-Band Stereo Graphic Equalizer with FBQ Feedback Detection System The Behringer FBQ1502 is a professional, ultra-musical 15-band stereo graphic equalizer that is equally at home in both live and studio applications. It features the amazing, patent-pending FBQ feedback detection system that instantly detects feedback frequencies and can also be used as an audio analyzer, making the FBQ1502 a welcome addition to any touring rack. Another FBQ1502 highlight is its dedicated mono subwoofer output with adjustable crossover frequency that lets you add some extra punch to your music.An additional low cut filter removes unwanted frequencies such as floor rumble, while a highly accurate 4-digit LED output metering and input gain control let you easily adjust levels. High-quality components abound, such as the ultra low-noise audio operational amplifiers for outstanding sound performance and the servo balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors. Outstanding reliability is guaranteed with the high-quality illuminated faders, detent ALPS potentiometers and illuminated switches. With its comprehensive set of features, the FBQ1502 really hits home, letting your creativity come alive in full swing. Features: Professional 15-band stereo graphic equalizer for both live and studio applications Revolutionary FBQ feedback detection system instantly reveals critical frequencies and can also be used as audio analyzer Dedicated mono subwoofer output with adjustable crossover frequency Additional low cut filter removes unwanted frequencies, e.g. floor rumble Highly accurate 4-digit LED output metering and input gain control for easy level setting Ultra low-noise audio operational amplifiers offer outstanding sound performance Servo-balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors High-quality illuminated faders, detent ALPS potentiometers and illuminated switches for long-term reliability Shielded toroidal power transformer for ultra low-noise performance Extremely rugged all-metal chassis ensures long life even under the most demanding conditions Designed in Germany. Manufactured under ISO9000 certified management system
More info: Behringer FBQ-1502 15 Band Graphic Equalizer
Behringer FBQ6200 31 Band Graphic EQ With FBQ
BEHRINGER FBQ6200 Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System The flagship of the entire FBQ series, the ULTRAGRAPH PRO FBQ6200 is an ultra-musical 31-band stereo graphic equalizer that goes the distance to offer a maximum in performance and flexibility in both live and studio applications. Start with the forward-looking, patent-pending FBQ Feedback Detection System that instantly reveals feedback frequencies and also can be used as an audio analyzer. A whole battery of superb features makes the FBQ6200 score high on the ease-of-use scale: dedicated limiters with gain reduction meters for each channel protect your sound system from overload and distortion, and a pink noise generator provides test signals for equalizing your sound system to any room acoustics. A mono subwoofer output with dedicated level control and adjustable crossover frequency gives your music some extra verve. Additional sweepable high and low cut filters for each channel remove unwanted frequencies such as floor rumble and tape hiss. Level setting is no sweat thanks to the highly accurate 8-digit LED input/output metering and input gain control. Top-drawer components such as the ultra low-noise audio operational amplifiers, servo balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors and the relay-controlled hard-bypass with an auto-bypass function offer outstanding audio performance. Expect reliability in the long run with the high-quality illuminated 45-mm faders, detent ALPS? potentiometers and illuminated switches. Any way you look at it, the FBQ6200 has all the right stuff to become a welcome addition to your touring rack. Features: Professional 31-band stereo Graphic Equalizer for both live and studio applications Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies and can also be used as Audio Analyzer Dedicated limiters with gain reduction meters for each channel protect your sound system from overload and distortion Pink noise generator provides test signals for equalizing your sound system to any room acoustics Mono subwoofer output with dedicated level control and adjustable crossover frequency Additional sweepable high and low cut filters for each channel remove unwanted frequencies e.g. floor rumble, tape hiss etc. Highly accurate 8-digit LED input/output metering and input gain control for easy level setting Ultra low-noise audio operational amplifiers offer outstanding sound performance Relay-controlled hard-bypass with an auto-bypass function during power failure (failsafe relay) Servo-balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors High-quality illuminated 45 mm faders, detent ALPS? potentiometers and illuminated switches for long-term reliability Shielded toroidal power transformer for ultra low-noise performance Extremely rugged all-metal chassis ensures long life even under the most demanding conditions Conceived and designed by BEHRINGER
Rane Stereo 2 Way Or 3 Way Crossover
RANE AC 22B Active Crossover The Rane AC 22B Active Crossover is configurable as stereo 2-way or mono 3-way. It employs state-variable 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties in the critical crossover region. The AC 22B uses XLR connectors with active balanced inputs and outputs. The Linkwitz-Riley alignment is two cascaded 2nd-order Butterworth filters exhibiting identical phase characteristics on their Low pass and High pass Outputs. This guarantees in-phase outputs at all frequencies, mandatory for proper acoustic summing of common signals from adjacent drivers in the crossover region. An added benefit of this topology is steep 24 dB per octave rolloff slopes. A slope of this magnitude guarantees drivers designed to produce a specific range of frequencies, and no more, will not be driven past their limits, thereby minimizing distortion and driver fatigue. To further guarantee the transparent operation of the AC 22B, adjustable time delay circuits appear on the low (and mid when used in 3-way mode) outputs of each channel to compensate for any physical misalignment of the drivers. Time correction ensures the mechanical phase alignment of adjacent drivers will be acoustically correct, thus maintaining the integrity of the electrical phase alignment of the crossover’s filters. The low delay circuit may be internally transplanted to the high output when neccessary. CD horn equalization is also possible with an internal modification. A mono subwoofer switch provides the option to sum both low outputs in stereo 2-way mode.
More info: Rane Stereo 2 Way Or 3 Way Crossover
Behringer CX-2310 2 Way Ster/ 3 Way Mon Crossover
Crossover Professional easy-to-use crossover with 2-way stereo or 3-way mono operation. Features: Individual output level and mute for each band Switchable 25Hz subsonic filters Summed mono output for subwoofer use Servo-balanced gold-plated XLR connectors Phase reverse switch for each output
More info: Behringer CX-2310 2 Way Ster/ 3 Way Mon Crossover
Rpaco 2-XLR (F) Wall Mount Plate
Wall Mount Plate 2 female XLR connectors mounted on a double duplex wall plate Half plate with 2 jacks
More info: Rpaco 2-XLR (F) Wall Mount Plate
8in Floor Box, 6 XLR (F)
CBI FB86F50PR RECASSED FLOOR BOX Features: Designed for permanent installations requiring multiple microphone, speaker, and/or video connectors Includes six female XLR connectors; with the option of adding two more Mounting flange and lid fabricated from 3/16 inch steel with a black finish Includes 50 foot cable connected to box on one end Closes flush with floor Size: 12″ x 8″ face
More info: 8in Floor Box, 6 XLR (F)
Dod Dual 15 Band Equalizer W/Xlr Connectors
DOD SR430-QX Stereo 15-Band Graphic Equalizer Stereo 15-band EQ (2 channels with 15 bands per channel) with 2/3 octave controls for accurate control of sound. Features: /-12dB boost/cut per band and input control w/LED meters Balanced XLR and 1/4″ inputs and outputs Low cut filter at 50Hz with a 12dB/Octave Slope 20mm faders
More info: Dod Dual 15 Band Equalizer W/Xlr Connectors
Behringer CX3400 Crossover
Crossover With Limiters Switchable stereo 2-way/3-way or mono 4-way operation Switchable 25Hz subsonic filter per input (12 dB/octave) Adjustable delay for runtime and phase correction Servo-balanced inputs and outputs with XLR connectors Servo balanced XLR inputs and outputs. 19″ rack mountable
More info: Behringer CX3400 Crossover
Ashly XR-1001 Stereo 2-Way/Mono 3-Way C rossover
ASHLY STEREO 2 WAY MONO 3 WAY CROSSOVER The XR-1001 is a stereo two-way or mono three-way crossover. All Ashly crossovers are based upon the same powerful state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. Our crossovers offer a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. These models also include a 200:1 tuning range, output mute switches, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields. Response Control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter’s high-pass and low-pass outputs are each “rolled off 3dB at the crossover point”. This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or “Linkowitz-Riley” response through the crossover region, set the Response control to “6″. This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past “6″ to best suit your needs. The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a “slope” control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter. Features: 5-Year Worry-Free Warranty 24dB Per Octave Slopes Variable Filter Response Allows Tuning-In Linkwitz-Riley or Other Filter Performances Summed Mono Output Output Mute Switches XLR and 1/4. Inputs and Outputs 20Hz Third Order Hi-Pass Filter Extra Wide Tuning Range Peak Overload Warning Lights Tamper-Proof Security Covers Optionally Available
Behringer MDX4600 4 Ch Compressor/Limiter
BEHRINGER MDX4600 4 CH COMPRESSOR/LIMITER The MULTICOM PRO-XL MDX4600 gives you four channels of first-class dynamic control in a single rack space. With a multitude of new features like the advanced program-adaptive expander gate, extensive metering plus a variety of configuration options, the MULTICOM PRO-XL puts a lot of dynamic processing power in your rack. Features: Switchable IKA (Interactive Knee Adaptation) program-adaptive compression circuitry combines the advantages of hard-knee and soft-knee characteristics IRC (Interactive Ratio Control) expander/gate circuitry for virtually inaudible noise suppression Switchable dynamic enhancer for brilliant, lively audio even with heavy compression IGC (Interactive Gain Control) peak limiting circuitry combines clipper and program limiter for reliable and inaudible protection against signal peaks Switchable low contour filter prevents “pumping” due to low-frequency dominated compression Stereo couple function selectable for channels 1/2 and 3/4 Ultra low-noise 4580 operational amplifiers and state-of-the-art VCA’s Separate 8-segment LED meters for input/output levels and gain reduction Selectable operating level (+4 dBu/-10 dBV) High-quality detented potentiometers and illuminated switches Servo-balanced inputs and outputs with ?” TRS and gold-plated XLR connectors
More info: Behringer MDX4600 4 Ch Compressor/Limiter
Yamaha AW-2400 Digital Audio Workstation 24 Track
YAMAHA AW-2400 Digital 24-Track Workstation Providing immediate access to inspiration and creativity, the AW2400 has everything you need to record your music anytime, anywhere in a compact, road-worthy design. The flagship AW2400 offers 24 simultaneous tracks of playback, motorized 100mm faders and the same expansion slot found on Yamaha’s digital mixing consoles for connecting the AW to professional studio gear. The AW2400 proves that an audio workstation that’s easy to use can also offer professional quality features and performance for music production. Once you’ve learned the basics you can efficiently go from concept to CD while concentrating on the music rather than the technical details. Features: 16-input/24-track system records top-quality uncompressed 16-bit or 24-bit audio at 44.1 or 48 kHz (12 tracks when recording 24 bit audio) 8 virtual tracks per physical track (26 x 8 in 16-bit mode) provide plenty of capacity for alternate takes Substantial 40-gigabyte high-speed 3.5″ hard disk provides plenty of internal storage as well as fast, reliable recording and playback performance Built-in CD-RW drive lets you burn original audio CDs that can be played on any standard CD player, as well as make reliable CD data backups. Copyright permitting, copy CD data to the internal hard drive High-performance 24-bit A/D and D/A converters guarantee outstanding audio quality 4-band EQ with a choice of Type I and Type II EQ modes and versatile dynamics processing on all mixer inputs and recorder tracks Full-length 100-millimeter motor faders facilitate precise mixing and mix automation Eight XLR and TRS microphone/line inputs, with switchable phantom power for all XLR connectors and insert patch points on inputs 1 and 2 A Mini-YGDAI expansion slot on the rear panel accepts a range of high-performance I/O expansion cards Sound Clip function makes it simple to record short audio samples or memos Four high-performance assignable effect processors provide a range of ambience, modulation, and mastering effects Pitch Fix function allows precise vocal pitch correction Scene memory allows up to 99 mix setups to be memorized for each song USB 2.0 interface provides fast data transfer between the AW2400 and a computer for effective data management Data compatibility with the Yamaha AW1600, AW4416, AW2816, and AW16G audio workstations.
More info: Yamaha AW-2400 Digital Audio Workstation 24 Track
Rane Stereo 39116 Way Or Mono 39177 Way Crossover
RANE AC 23B Active Crossover The Rane AC 23B Active Crossover can be configured as stereo 2 or 3-way, or mono 4 or 5-way. It features XLR connectors with active balanced inputs and outputs. It also employs 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties in the critical crossover region. Simply put, a Linkwitz-Riley alignment is two cascaded 2nd-order Butterworth filters exhibiting identical phase characteristics on their Low-pass and High-pass outputs. This characteristic guarantees in-phase outputs at all frequencies. In-phase outputs are mandatory for proper acoustic summing of common signals from adjacent drivers in the crossover region. An added benefit of this topology is steep 24 dB per octave rolloff slopes. A slope of this magnitude guarantees drivers designed to produce a specific range of frequencies, and no more, will not be driven past their limits, thereby minimizing distortion and driver fatigue. To further guarantee the transparent operation, adjustable time delay circuits appear on the low and mid outputs of each channel to compensate for any physical misalignment of the drivers. Time correction ensures the mechanical phase alignment of adjacent drivers will be acoustically correct, thus maintaining the integrity of the electrical phase alignment of the crossover’s filters. CD horn equalization is possible with an internal modification. Time delay can also be internally transplanted to the mid and high outputs if desired.
More info: Rane Stereo 39116 Way Or Mono 39177 Way Crossover
Lucid 88192 24/192Khz A/D D/A Converter
LUCID 88192 24/192KHZ A/D D/A CONVERTER Designed for rigors and complexities of today’s hi-definition digital recording systems, the Lucid 88192 guarantees excellence in audio conversion and management for recording, post-production, and broadcast environments. This new multi-format audio converter provides 8 channels of AES/EBU and 8 channels of SMUX2 ADAT digital audio to and from the host at sample rates up to 192 kHz. Extremely low distortion and jitter, coupled with wide frequency response translates into clean, quiet, accurate, and stunning recordings. Adjustable gain and clip limiting on the analog input stage allows the user to optimize levels under a variety of circumstances. The simple user interface is designed for quick, efficient operation of all functions. The Lucid 88192 guarantees excellence in audio conversion and management for recording, post-production, and broadcast environments. An optional FireWire interface card for compatibility with Windows? and Macintosh? computers for native workstation recording applications is coming soon! Features: Eight channels of high quality A/D and D/A conversion 24-bit audio conversion at samples rates up to 192 kHz Eight channels of single-wire AES/EBU I/O up to 192 kHz Eight channels of ADAT SMUX2 I/O up to 96 kHz Analog and AES/EBU I/O uses XLR connectors Sync via internal, Word clock, AES, or ADAT inputs Straightforward setup and operation via front panel encoder and display Soft clip for peak limiting in the analog domain Option port for FireWire? host and future developments
More info: Lucid 88192 24/192Khz A/D D/A Converter
Lucid AD9624 24/96Khz A/D Converter
LUCID AD9624 24/96KHZ A/D CONVERTER A first-class converter for recording, mastering, and post-production. Take your digital recording system to the next level with the addition of the AD9624. This converter bridges the gap between analog and digital equipment with transparent audio conversion. True 24-bit resolution is the best way to record and process all the detail the human ear can hear. The AD9624 supports sample rates of 96kHz, 88.2kHz, 48kHz, 44.1kHz, and 32kHz. What’s more, the AD9624’s noise shaping function enhances the clarity of low-level material for superior imaging and realism when creating 16-bit masters. Multiple connections for flexible operation. The AD9624 accepts analog input via XLR connectors and outputs its digital bit stream simultaneously through professional AES/EBU and consumer S/PDIF (coaxial and optical TOSLINK) connectors. A front panel headphone output provides a convenient way to monitor audio levels. Finishing touches make all the difference. Easy-to-read, 20-segment LED ladders show you exactly where to set I/O controls for optimal A/D conversion. Rack the AD9624 next to the DA9624 using a Lucid RM-4 rack mount tray, or use the AD9624 on its own for your specific interface requirements. Features: Stereo 24-bit, precision A/D conversion Internally generated sample rates of 96kHz, 88.2kHz, 48kHz, 44.1kHz and 32kHz Word clock sync from 32 to 96kHz Simultaneous AES/EBU (XLR) and S/PDIF (coaxial and TOSLINK) digital outputs Three digital output formats: AES/EBU (XLR) and S/PDIF (coaxial and TOSLINK) User-selectable, 16-bit noise shaping Separate or linkable input level with 20-sement LED
More info: Lucid AD9624 24/96Khz A/D Converter
MOTU 896HD Computer Audio Interface
MOTU 896HD: 96kHz FireWire Hard Disk Recording Systems The MOTU 896HD system includes the 2-space interface unit featuring a vast assortment of high-end I/O possibilities, including 24-bit analog I/Os with balanced and unbalanced Neutrik combo connectors. It also comes with a 15 FT FireWire cable to connect the 896 to your computer, software drivers (for both Mac OS and Windows) and AudioDesk, a complete Macintosh audio workstation software package. The 896HD is a 96kHz firewire audio interface for Macintosh and Windows. It provides everything you need to make great recordings, all in a durable 2-space rackmountable package. The 896HD is expandable. Should your needs grow in the future, simply add additional 896HD or 828 interfaces for more I/O. The 896HD is the perfect companion for your laptop computer. With eight built-in mic pre-amps with individually switchable phantom power and no-latency CueMix Plus monitoring, you don’t need a mixer for portable recording. Included with the 896HD is the acclaimed AudioDesk workstation software for Macintosh. Of course, the 896HD ships with Sound Manager, ASIO, GSIF and WDM drivers for compatibility with your favorite software. Features: Eight 24-bit analog inputs using balanced/unbalanced 1/4″ and XLR Neutrik combo connectors Eight mic pre-amps with switchable 48-volt phantom power on the front panel Eight 24-bit analog outputs using balanced XLR connectors. Each output is individually switchable to 4 or -10 109dB dynamic range Front panel volume control of monitor input level on main outs Expandable with additional MOTU Firewire based interfaces such as the MOTU 828 100% compatible with all host-based effects processing in today’s popular audio programs 44.1, 48, 88.2 and 96kHz sample rates supported Front panel headphone jack with independent volume control Extensive multi-segment front panel metering for all I/O and clock modes software-configurable peak and clip hold times CueMix plus zero-latency hardware patch-thru system Includes AudioDesk full-featured sample-accurate workstation software for MacOS with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync Eight channels of 24-bit ADAT optical input/output Sample-accurate digital transfers between ADAT digital tape decks and the computer via the ADAT sync port Stereo AES/EBU input and output with built in sample rate conversion Word clock I/O for easy integration into a studio with many devices with digital I/O Slave to word clock at half-speed or double speed Send word clock at half speed when running at 88.2 or 96 kHz Trim controls for all inputs on front panel Front panel footswitch/punch jack Drivers for Mac & PC - for all popular Macintosh and Windows audio software (ASIO/WDM/Wave/Sound Manager drivers)
More info: MOTU 896HD Computer Audio Interface
